Wildlife Film News
No. 223 – From the producer of Wildlife-film.com – March 2018
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Welcome our New Full Members of February!
Tom Nelson - An experienced and reliable filmmaker with a passion for crafting work that inspires lasting environmental and social change. thisworldcan.com
Oxford Scientific Films - OSF is a BAFTA- and Emmy-award winning producer of contemporary factual, natural history, science and history productions, with a passion for storytelling and are proud of the company's heritage as a technological pioneer. oxfordscientificfilms.tv
Industry friend Martin Hammod dies
7 February 2018
We are sad to report the passing of Martin Hammond who died from a heart attack this morning.
Some of you will know him from his 35 years at Kodak, his presence at many wildlife film festivals and his support for industry newcomers.
Our thoughts are with his family and friends. RIP Martin.
Oxford Scientific Films and Terra Mater Factual Studios explore Wild Korea from OSF
6 February 2018
Following on from the success of major international series Richard Hammond’s Miracles of Nature, Wild Weather with Richard Hammond and Secrets of the Stonehenge Skeletons, Terra Mater Factual Studios (TMFS) and Oxford Scientific Films (OSF) have joined forces once again to co-produce, Wild Korea (2 x 1 hrs) a landmark series on the natural history of South Korea in association with Buzz, CJ E&M and the BBC.
For the past 60 years, aggression between North and South has defined Korea yet little is known about its wilderness areas where traditional relationships between man and nature thrive and remarkable creatures exist in abundance.
From the jagged mountains of the east to the vast estuarine mudflats of the south and west Wild Korea explores the rich and varied wildlife habitats of this mysterious peninsular. Most astonishingly of all the series lifts the lid on the haven that exists inside the demilitarised zone, the heavily fortified area between North and South where humans fear to tread but where wildlife threatened elsewhere in the country has forged a remarkable comeback.
Wild Korea is scheduled for delivery in January 2018 making the series available in time for the Winter Olympics which are being held in Seoul. The BBC has taken a 1 hr version South Korea: Earth’s Hidden Wilderness which they are due to transmit on 11th February at 8pm on BBC2.
Clare Birks, CEO, Oxford Scientific Films said “We’re delighted to be working with Terra Mater again on such an ambitious and prestigious series which we are co-producing with our Korean partners”.
Caroline Hawkins, Creative Director, Oxford Scientific Films said ”We have been given a unique opportunity to show nature’s incredible resilience in a country that is unfamiliar to most of us yet is rich in wonderful wildlife.”
Sabine Holzer, Head of TV, Terra Mater Factual Studios adds “We are very excited about these truly unique films about a region few of us would think of in terms of Natural History. This is a perfect match for Terra Mater’s documentary programme portfolio where we continue to combine fresh storytelling and outstanding visuals.”
The films were ordered by Sabine Holzer for TMFS and CS Lee for Buzz and Jae Hyuk Lee for CJ E&M. The Director is James Reed (Jago: A Life Underwater, Rise of the Warrior Apes). The Executive Producers are Caroline Hawkins for OSF, Martin Meszaros and Sabine Holzer for TMFS, CS Lee for Buzz and Jae Hyuk Lee for CJ E&M.
One of of our most popular wildlife film-making courses, the introductory weekend offers you your first insight into the world of wildlife film-making. From pre-production to delivery, we’ll guide you through the many stages of the process from your first idea, research, scripting, travel, filming, editing, delivering as well as importantly selling and distributing your completed film.
This course is broken down into bite-sized modules presented over two days including time spent filming at Pensthorpe, former home of BBC Springwatch. The wildlife film-making weekend is suitable for anyone including beginners, hobbyists, keen enthusiasts, those looking to undertake wildlife film-making degrees or apprenticeships all the way through to camera operators looking to diversify into wildlife film-making. As well as educating, inspiring and providing practical hands on experience its a great addition to any CV. Visit/book: www.wildeye.co.uk/introduction-to-wildlife-film-making
Trek to see/film wild mountian gorillas and chimpanzees in the forests of Uganda, whilst learning about and participating in conservation projects to protect our close relatives... A Wildeye / GAFI Project.
A unique itinerary is planned to give participants an incredible opportunity to see wild great apes and engage in their conservation – see full itinerary below – highlights include: mountain gorilla and chimpanzee trekking, visiting the Ngamba Chimp Island Sanctuary, several game drives featuring lions, elephants, monkeys, buffaloes and more, learning about and participating in conservation projects such as tree-planting, teaching local people about the value of wildlife, and the Pedal Powered Cinema Project, staying at Dian Fossey Lodge.
Tuesday, March 20 at 7 pm Reception at 6:30 pm with refreshments An Evening with Chris Palmer - The Best Environmental Feature Films from Hollywood Founder and Director, Center for Environmental Filmmaking, School of Communication, American University.
Film producer Chris Palmer describes, with lots of clips, the best environmental feature films of all time from Hollywood, illustrating his remarks with compelling footage.
He will also screen the winners of this year’s Eco-Comedy Video Competition, co-sponsored by AU’s Center for Environmental Filmmaking and The Nature Conservancy. Chris Palmer and Severn Smith, a top executive at TNC, will celebrate the winners.
Wednesday, March 21 at 7pm Student Short Environmental Film Festival
Come and watch some fascinating and entertaining films made by top film students. Professor Chris Palmer and EFF’s Samantha Plakun will lead an entertaining and interactive session with the audience and the filmmakers on why and how these films are made.
Followed by a discussion with the student filmmakers.
Thursday, March 22 at 7pm Ok, I’ve Watched the Film, Now What? An Impact Filmmaking Panel with Experts in the Field. Film clips and panel discussion, hosted and moderated by Chris Palmer.
How do we produce films that make a difference? This session, illustrated with clips of inspiring films, explores the ways we can turn films into action, at both the policy and personal levels. Our top panelists will address the challenges of producing films that have a tangible and measurable impact on their audiences and society.
Panelists: Award-winning filmmakers Tessa Moran and Ben Crosbie (directors of The Guardians), and Keeley Kernan (director of In the Hills and Hollows).
Friday, March 23 at 7 pm
Evolution of Organic (Dir. Mark Kitchell, US, 2017, 86min.) followed by a discussion
From filmmaker Mark Kitchell (Berkeley in the Sixties, A Fierce Green Fire) comes a new film: Evolution of Organic. It’s the story of organic agriculture, told by those who built the movement. A motley crew of back-to-the-landers, spiritual seekers and farmers’ sons and daughters reject chemical farming and set out to explore organic alternatives.
It’s a heartfelt journey of change, from a small band of rebels to a cultural transformation in the way we grow and eat food. By now organic has gone mainstream, split into an industry oriented toward bringing organic to all people and a movement that has realized a vision of sustainable agriculture. It’s the most popular and successful outgrowth of the environmental impulse of the last fifty years.
Discussion, moderated by Chris Palmer, with a panel of local organic farmers and organic food distributors, follows screening.
Tuesday, March 27 at 7pm Healing Baltimore’s Harbor: A Pipe Dream?
This documentary—conceived, written, produced, shot, directed, and edited by students in Environmental & Wildlife Production (COMM 568)—will air during Maryland Public Television’s Chesapeake Bay Week in April. Healing Baltimore’s Harbor examines Baltimore’s aged and crumbling sewage and storm water infrastructure that continues to pollute the city’s harbor.
The filmmakers were Crystal Berg,Rebecca Castaneda, Danielle Criss, Sirjaut Kaur Dhariwal, Keeli Howard, Mike Kuba, Madison Long, Carlos Macher, Charles Mullen, Nawfel Raghay, Alec Smyth, Dee Starnes, and Jean Vozella. Crystal and Sirjaut were the producers and took lead roles.
Created by American University’s Center for Environmental Filmmaking, in association with Maryland Public Television.
Panel discussion, hosted by Professor Chris Palmer, follows screenings. Panelists include student filmmakers andProfessor Mike English, who taught the Center for Environmental Filmmaking class where Healing Baltimore Harbor was produced for Maryland Public Television.
Tuesday, April 3 at 7pm Filmmaking for Decision-Makers: A case-study of American Resilience Project’s Tidewater, & The Burden
Join award-winning Director and Founder of American Resilience Project, Roger Sorkin for an evening of film and discussion about the importance of crafting stories that speak clearly to citizens as well as decision-makers and politicians.
Since 2015, American Resilience Project, an innovative hybrid between a nonprofit organization and film production company, has produced films that cut through the partisan divide as vital tools for achieving consensus around considering environmental challenges as ones of national security and economic opportunity.
The Burden (2015) and Tidewater (2017) have been shown at NATO Headquarters, in the White House, on Capitol Hill, at State Houses across the country, and at the NASDAQ Stock Market —in addition to the traditional film festival circuit and public broadcasting. Hear from the Director of both films about how and why his films are made to speak to those in power.
Malsi Doyle & Michael Forman Theater, McKinley Building, American University
4400 Massachusetts Avenue, NW, Washington, DC 20016-8017
Directions: www.american.edu/aumaps
Metro: Tenleytown/AU, shuttle bus service to AU
SOC's Center for Environmental Filmmaking is excited to offer students a one-week program during American University's spring break on the Chesapeake Bay to introduce them to the challenges and fun of environmental filmmaking. The program will take place March 10-17, 2018. This course will be limited to 14 students. More here: american.edu/soc/environmental-film/classroom-in-the-wild.cfm
"Don't miss this life-changing experience!" Chris Palmer, Director, Center for Environmental Filmmaking. Visit: larryengel.wixsite.com/ciwalaska
International Big Cats Film Festival Winners Announced from JHWFF & CITES
3 March 2018
UN celebrates world’
s best big cats films for World Wildlife Day – Winners of International Big Cats Film Festival
announced at UN Headquarters
The CITES Secretariat and Jackson Hole Wildlife Film
Festival announced today winners of the International Big Cats Film Festival. Winning stories
about jaguars, leopards, lions, pumas, tigers and more will now hit the big screen and your
mobile devices as the world celebrates World Wildlife Day 2018 under the theme “Big cats:
predators under threat”
.
"These films connect us in a very personal way to wildlife. They inspire us all to make sure
these most magnificent creatures survive in the wild. Congratulations to all of the finalists and
category winners, and thank you for making this such a memorable World Wildlife Day. By
using the power of media we can catalyze a groundswell of support for big cats to help make
sure they survive in the wild ", said John E. Scanlon, CITES Secretary General.
“We’re eager to partner with organizations around the world to raise local awareness and
engagement through free public screenings and events,” said Jackson Hole Wildlife Film
Festival’s Executive Director, Lisa Samford. These amazing films speak eloquently to the
importance of saving big cats while we are still able to do so.”
The co-organizers are particularly grateful to the following final judges for their commitment of
time (in alphabetical order of family name):
Inger Anderson, Director General of International Union for Conservation of Nature (IUCN)
Bradnee Chambers, Executive Secretary, Convention on Migratory Species (CMS)
Andrea Heydlauff, Chief Marketing and Communications Officer, African Parks Foundation
John E. Scanlon, Secretary-General, Convention on International Trade in Endangered
Species of Wild Fauna and Flora (CITES)
Cécile Tang, Co-Director, Youth for Wildlife Conservation
Winners of the International Big Cats Film Festival in the 6 categories are:
Issues and Solutions – Awarded to the film that most effectively reveals current issues and challenges and communicates solutions to the environmental, socio-economic and sustainability issues associated with big cats around the globe:
Conservation – Awarded to the film that effectively celebrates innovative approaches and noteworthy achievements of individuals or groups committed to the conservation of big cats:
“Big Cats - Episode 3” - a BBC Natural History Unit Production for BBC and PBS with THIRTEEN Productions LLC, co-produced by France Télévisions
People and Big Cats – Awarded to the film that most effectively coveys the complex relationship between big cats and humans:
“Livestock Insurance Program” produced by Figet Films LLC, Pontecorvo Productions
Science and Behavior – Awarded to the film that greatly deepens our understanding of the science behind big cats and their behavior through its storytelling:
“Vanishing Kings – Lions of the Namib” A co-production by ORF, Interspot Film, ARTE, Smithsonian Networks, Into Nature Productions and Boksdocs - Edited by Alan Miller
Micro Movie (under 5 minutes) – Awarded to the Public Service Announcement (PSA), music video, media artwork or advocacy film that most effectively communicates an appreciation or understanding of big cats or their conservation issues. Limited to media under 5 minutes in length:
“Pavel” produced by World Wildlife Fund-UK
Local Voices:
“Gyamo - Queen of the Mountains” produced by Riverbank Studios
Over 200 entries were submitted for the international competition, and they were reviewed by
60 preliminary judges over seven weeks after which they determined the 16 finalists. The
short list then was passed on to the final judging panel, which selected the winners from
among the 16 finalists.
Big cats are among the most widely recognized and admired animals across the globe.
However, the world has been losing these most majestic animals at an alarming rate. For
example, tiger populations plummeted by 95 percent over the past 100 years and African lion
populations dropped by 40 percent in just 20 years.
These iconic predators, the challenges they face, and how these challenges can be met, will
be in the spotlight through the 16 films chosen as finalists in the International Big Cats Film
Festival.
These stories went beyond simply being visually mesmerizing and engaging. They show the
challenges facing these iconic species, and they feature the front-line heroes and the
solutions that are necessary if we are going to be able to save populations of big cats around
the world.
The theme of World Wildlife Day 2018 is "Big cats: predators under threat". All big cats are protected under CITES. The CITES Secretariat is the facilitator designated by the UN General Assembly for the global celebration of the Day.
UN World Wildlife Day is on 3 March and this year’s theme is ‘Big cats: predators under threat’. Tigers, leopards and other big cats are among the most charismatic mammals on Earth but all are threatened by illegal wildlife trade in their parts and products. We have made a short film summarising our current work to protect Big Cats and Tiger Campaign Leader Debbie Banks has written a special blog on how films celebrating the magnificence of big cats renewed her resolve to ensure a future for them.
CALLING ALL PHOTOGRAPHERS AND VIDEOGRAPHERS – The British Wildlife Photography Awards 2017 are open for entries. Find out more here: www.bwpawards.org
With 15 separate categories covering all aspects of British Wildlife share your vision with us and compete for a chance to win a prestigious prize. The £20,000 prize fund includes £5,000 cash first prize and cameras from lead sponsor Canon.
Be featured in a touring exhibition and reach millions across the UK through a touring exhibition and a beautiful book.
Whether incredible behaviour, a characterful portrait, an atmospheric woodland scene, or the secret world that lives in the undergrowth we want to see your pictures and films.
Be part of a competition and community that is supported by the UK's major conservation charities and celebrates excellence in wildlife photography and film.
Be inspired by our recent FILM and PHOTOGRAPHY WINNERS winners:
Award-winning wildlife production company Silverback Films is looking for a bursary cameraperson to work on one or more of its upcoming blue chip productions over the next year.
The bursary offers an amazing opportunity to work alongside and learn from Silverback's team of world class filmmakers and develop your skills as an emerging camera operator.
Showreels should demonstrate an ability to shoot sequences and experience of using variety of technology including drones and timelapse is an advantage. Broadcast credits are an advantage but not essential. Most important is the ability to demonstrate creativity and imagination!
Closing date for submissions is the 15th March.
The position will be based in Bristol and start in April.
The 34th "International Festival of Ornithological Film" will take place from October 30th to November 4th 2018 in Ménigoute (Deux - Sèvres - FRANCE).
Ménigoute Festival’s main purpose is to inspire to the greatest public increased awareness of the need to conserve the natural environment. At the same time, it aims to encourage the documentaries’ production and broadcasting. About 40 ornithological and wildlife entries, French premieres, will be selected to be screened in competition during public performances.
Entries are free of fees.
Nine prizes, totalling about 16,930 €, will be awarded.
Any film longer than 15 minutes will be entered in the category "long program" and all films less than 15
minutes in the category "short program". The rules and conditions of participation are identical for these
two
categories.
Many other activities are sheduled for the festival, including photographic exhibitions, conferences, art shows, guided visits to sites in the local area for their landscape and wildlife interest.
Jackson Hole Wildlife Film Festival & Conservation Summit has unveiled its new-look board of directors, treasurer and executive committee ahead of its 27th year.
Ellen Windemuth (pictured), CEO and founder of Anglo-Dutch production and distribution company Off the Fence, will join the Grand Teton National Park-set festival’s board as chair. She succeeds Michael Rosenfeld, VP of national productions for Twin Cities PBS, who remains on the leadership team as chair emeritus.
Buy your delegate pass before April the 30th and get 30% off a full price week pass... A £150 saving: wildscreen.org/festival/tickets
SPECIAL RATES:
We want our festival to be as accessible and affordable as possible so we’ve introduced new weekly delegate pass types with up to 50% off for 2018.
The ‘Green Oscars’ of the international wildlife film and TV industry, the Wildscreen Panda Awards are open for entries...
Wildlife and environmental filmmakers from around the world can submit their productions to be in with a chance of winning the most coveted awards in the genre when the world’s biggest festival of natural world storytelling returns to Bristol, UK, from the 15-19 October 2018.
Launching the Festival’s latest call for entries, Lucie Muir, CEO of the charity behind the biennial event, said: “The Panda Awards have sat at the heart of the Wildscreen Festival since they were presented at the first Festival back in 1982 and they remain the highest honour in the international wildlife film and TV industry.
Entries must be submitted by Wednesday 21 March 2018, via the online submission portal on the Wildscreen website, available at: www.wildscreen.org/panda-awards
We have news! In 2018 we will be offering a new award, supported by Audi’s environmental foundation Audi Stiftung für Umwelt GmbH: the "NaturVision Short Film Award: The (In)Finite Nature of Plastic". The spectrum of subjects for the category ranges from our everyday dealings with plastic to the dangers of plastic materials for our waters, soils, wildlife and humans, all the way through to alternatives to plastic or ideas for solving the problem of plastic waste.
We look forward to your entries, which we need to receive by 18 March 2018.
This is also the deadline for all the other categories. You still have until 18 March 2018 – to submit your films on nature, wildlife, the environment and sustainability that were completed after 1 January 2017 for the big NaturVision Film Competition!
The fourth edition of The Netherlands’ main wildlife film festival is now open for entries! We invite wildlife and environmental filmmakers from anywhere in the world to participate in our popular Flamingo Award Competition and get the opportunity to have your film screened for a large Dutch audience. The festival is held in several theaters in the exciting city center of Rotterdam from 24-28 October 2018.
WFFR screens movies with a central focus on the natural world, but also critical and informative documentaries on raising awareness, the environment and conservation. The competition is free of fees. The deadline for entries is Tuesday 1 May 2018.
Each award winning film will receive their Flamingo Award during the award ceremony on Saturday 27 October 2018. WFFR invites the filmmaker to participate during this award ceremony and infamous Flamingo afterparty.
Agenda:
Tuesday 1 May 2018: Official submission deadline Wednesday 1 August 2018: Announcement of the selected finalists and Flamingo Award nominees Wednesday 24 – Sunday 28 October 2018: Wildlife Film Festival Rotterdam, held in one of Europe’s most exhilarating cities according to the Lonely Planet.
Filmmakers can choose to compete also in the following
7 categories:
ACFF is Calling All Students 18 & Under To Enter Their SHORT VIDEO CONTEST!
It's simple, educational, and fun - and there are cash prizes, too!
Our NEXT GEN CAPTURE CONSERVATION CONTEST encourages students 18 & under to create and submit their own short video inspired by conservation and the environment. It can be of any genre (animation, documentary, music, etc), should not exceed 4 minutes in length, and can be created with a smart phone, iPad, or video camera.
We will award $100 cash prizes in three age groups (10 & under, 11-14, and 15-18) and Team Project categories. A grand prize of $250 and an iPad mini will be awarded to the student whose video tells the most compelling story of his/her relationship with the environment and conservation. DEADLINE IS APRIL 1st!
DCEFF Honors Our 2018 Environmental Champion: Dr. Sylvia Earle!
The Board of Directors of the Environmental Film Festival recognized and honored Sylvia Earle’s many accomplishments, especially her efforts in raising awareness about the importance of our oceans and advocating for their protection, presenting her with DCEFF’s 2018 Environmental Champion Award. The event took place at the Embassy of France and was hosted by Ambassador Gerard Araud.
Sylvia Earle has led more than 100 expeditions worldwide, logging more than 7,000 hours underwater. She served as Chief Scientist of the National Oceanographic and Atmospheric Administration from 1990-92, and has been Explorer-in-Residence at the National Geographic Society since 1998. Her organization Mission Blue was founded in 2009 to build public support for a global network of marine protected areas.
BORN TO BE WILD
– NHNZ launches wildest studio in the world By NHNZ
20 February 2018
Video content has skyrocketed, and now accounts for nearly 74% of all online engagement ¹. Recognising this phenomenon,
alongside global consumer trends of authenticity, raw humanity and a return to nature, award-winning wildlife filmmakers
NHNZ has launched the new short-form division, WiLD Studios.
With international brand marketer and executive producer, Carolyn Managh, at the helm, WiLD Studios is on a mission
to strengthen connections between brands, nature and wildlife. WiLD Studios produces cinematic short-form content–
anything from 30 seconds to 30 minutes- by tapping into NHNZ’s remote production crews located in key wildlife
destinations around the world.
“WiLD Studios celebrates the magnificence of our natural planet, with the mission of strengthening connections between
brands, nature and wildlife. Whether it’s Antarctica, Mainland China, Siberian Desert or the Amazon, we can make it happen.
With remote production crews experienced in cinematic 4k filming to international broadcast standards, ” explains Carolyn
Managh.
Chief Creative Officer Wunderman UK & EMEA, Ian Haworth praises the timing and relevance of WiLD Studios, saying,
“Authenticity and purposefulness are now an essential part of any brand’s communications, whether in campaigns or social
media content. Using connections to nature is a powerful platform to do this, and when it comes to content in this space,
the filmmakers at WiLD are wildlife whisperers.”
Right out of the gate, WiLD Studios’ first big initiative is a collaboration with WWF-New Zealand (spearheading the project
for global). Project Extraordinary is a competition that will see one creative agency potentially make history. The challenge
invites creative minds globally to develop a short-form video concept that demonstrates how sustainability is desirable and
sexy; to encourage 1 billion consumers globally to make more than 50% of their purchases based on sustainability as one of
the top 3 decision triggers, by 2020.
NHNZ Managing Director Kyle Murdoch says, “WiLD Studios is the natural next step in the evolution of NHNZ. We’ve had a
love affair with wildlife for over 40 years, including 10 years producing long-form documentaries co-funded by brands such
as Samsung and Buick. Combine this experience with a growing appetite for short-form content and then add Carolyn’s
marketing and agency experience into the mix, and we have a world class offering. This is part of NHNZ’s long term strategy
to be a best in class producer across a range of content offering.”
Some recent music making news below from the friendly crew @ The Sound Room.
In case you didn't already know we have a brand new online music library - with a huge range of existing tracks for instant licensing and download.
We are constantly on the look out for new artists, in any style, to join our library and for sync/licensing opportunities. So if you are an artist and write or produce high quality material that you own the rights to get in touch for more info.
We are also pleased to announce a Chinese version of our site for our friends in that part of the world.
If you need original music, sound design or a mix for your project big or small, give us a call. (Oooh that rhymed).
Dynasty: BBC announce new wildlife series with David Attenborough, from the team behind Planet Earth 2
The documentary will examine how animals protect their family and territory
David Attenborough is to front a new BBC One wildlife series from the team behind Planet Earth II.
The five-part Dynasty will follow different animals – a lion, hunting dog, chimpanzee, tiger, and emperor penguin – at crucial moments in their lives, examining how they protect their family, territory, and dynasty.
“The wonderful David Attenborough will inspire audiences once again when he brings the natural world to life with Dynasty,” BBC director of content, Charlotte Moore, said in a statement.
Member Rubén Duro has started a new project called "Science into Images", with the aim of helping scientists and researchers to communicate their projects and researches to society in an audiovisual form.
Work will be uploaded to this new Vimeo channel vimeo.com/scienceintoimages
Project OstreoRisk is a research project directed by Dr. Elisa Berdalet and Dr. Magda Vila (both of them working at the Institute of Marine Sciences (ICM-CSIC)) in Barcelona. The project involves research of the biology of the dinoflagellate Ostreopsis ovata (able to cause harmful algal blooms) and the affectation of its blooms to the health of people living near the coastal bloom areas. This first part is focused on microalgae (and cianobacteria) as a part of the marine planckton and benthos.
The making of Blue Planet 2 - Interview with SA cameraman Roger Horrocks
Just ten years ago, South African cameraman, Roger Horrocks, was studying an MBA and working for a digital marketing company. He is now one of the top underwater cinematographers on the planet, shooting for clients that include National Geographic and the BBC’s Natural History Unit. Philippa Ehrlich spoke to him about his experience of working with the most renowned wildlife filmmaking team on earth.
Horrocks' work features strongly in the BBC’s groundbreaking new series Blue Planet 2, which has just gone on air in South Africa and the USA. Globally, the programme has attracted record numbers of viewers and has been hailed as the best natural history show of all time. The series features a number of sequences that were filmed along South Africa’s coastline, including the story of a wily little octopus that lives in a kelp forest at the very tip of Africa.
You worked with South African filmmaker, Craig Foster on the octopus sequence. How did that come about? I made a series of crocodile films with Craig when I first came into the industry. That was an incredible experience, firstly on a personal level and then from a craft perspective to get a much deeper understanding into the process of making a film. We shot those films over four years and during that time Craig and I developed a very good working relationship.
Which of your Blue Planet 2 shoots were the most challenging?
Without doubt, the octopus shoot was by far the most demanding. At the start, I had a rough kelp forest story, but it just didn’t really have enough of a “wow factor”, so when Craig showed me this incredible armoured octopus behaviour, I was like “Wow!” and I knew that was going to be an amazing story. What I didn’t know, was what we would actually be able to get, because we’d never shot anything like this before. That’s why I told the BBC, that we would have to shoot over a period of two years when the conditions are good.
In Blue Planet II David Attenborough reminds us that the planet is in our care...
Once again, here come the modulated tones of David Attenborough, a sound as firmly imprinted on the modern unconscious as the Star Wars fanfare. Attenborough addresses us from the deck of a boat, sternly through the lens.
"For years we thought that the oceans were so vast and the inhabitants so infinitely numerous that nothing we could do could have an effect on them. But now we know that was wrong.
"The oceans are under threat now, as never before in human history."
Films make people associate emotionally with wildlife, says British television producer Mike Gunton
Films enable people feel closer to wildlife, associating them emotionally with the lives of animals, says a top British TV producer.
"I think (wildlife films) enable them to be, what makes them closer to the wildlife. You can't make that happen through a mediator" British television producer Mike Gunton told IANS in an email interview.
"All you can do is try and indulge people to associate them emotionally in a programme and that will generally make them think about the world in a different way," the producer told IANS in an email interview.
The BBC single-use plastics ban signals a positive environmental future
David Attenborough's Blue Planet II captured the awe and wonder of the natural world, and in doing so transfixed a nation. But it also brought new awareness of the appalling impacts of single-use plastics on marine life. Now the BBC has promised to ban such plastics before 2020. EMILY FOLK welcomes the move
The BBC is one of the most influential international news networks in existence. In 2015, it employed almost 19,000 people - and those numbers were expected to rise in the following years. The BBC is known for accuracy and unbiased reporting from all around the globe, catching some of the hottest stories in the world.
Recently, it announced a plan to eliminate all single-use plastics within the company. Since it employs so many people in such diverse areas, this is a big goal. It's end date is 2020, at which point it wants its whole company to be free of single-use plastics.
'Auntie' will have two years to implement their three-step plan, which means phasing out plastic cups and cutlery by the end of 2018, eliminating plastic containers at its canteens by 2019 and eliminating all disposable plastics by 2020.
Queen bans plastic straws and bottles on royal estates after David Attenborough documentary
Buckingham Palace outlines new waste plans saying there is a 'strong desire to tackle the issue' in royal household following Sir David's documentary on wildlife in the Commonwealth
The Queen has banned plastic straws and bottles from the royal estates as part of a move to cut back on the use of plastics "at all levels".
Buckingham Palace outlined new waste plans and said there was a “strong desire to tackle the issue” in the royal household, in a move thought to be inspired by David Attenborough.
“Across the organisation, the royal household is committed to reducing its environmental impact,” said a spokesman for Buckingham Palace.
Discovery Channel commissions BBC Studios for “The Red List”
Discovery Channel has commissioned BBC Studios to produce a special on the current state of the world’s wildlife.
The studio’s Natural History Unit will produce The Red List, a two-hour film that follows wildlife conservationists across the world as they compile the latest version of The Red List, the most comprehensive record of Earth’s wildlife which is run by the International Union for the Conservation of Nature.
The film will provide audiences with a glimpse inside the worldwide effort to help bring endangered species back from the brink of extinction.
The Discovery deal marks BBC Studios first non-BBC commission to date. In November 2017, BBC announced that BBC Studios, its independent production unit, and BBC Worldwide would merge to form one commercial entity.
The groundbreaking new series Animals With Cameras is back on our screens for its second instalment, and as I read through social media reactions to this innovative style of natural history filmmaking (for those who have yet to watch, species of animals — including chimps, penguins, meerkats and cheetahs — are fitted with cameras to record unique footage of their hidden lives); it seems a good time to share some of series host Gordon Buchanan‘s thoughts on his 25 years of filming wildlife.
David Attenborough's 'dulcet tones' have become a U.K. dance sensation
Whenever a DJ blasts the familiar voice of David Attenborough over the speakers at a U.K. dance club, "the crowd goes wild," says Louis Jadwat.
"There's this sense of euphoria really when you hear his kind of dulcet tones over our sort of disco track," the organizer of the David Attenborough Jungle Boogie raves told As It Happens host Carol Off.
"There isn't really a voice that's comparable to it."
A clip from a track by George Beck, who DJs under the name Afterparty Musik. 1:29
Attenborough is perhaps the world's most famous naturalist, best known for his decades of writing for and narrating BBC nature documentaries, including the Planet Earth series.
And now he's a dance sensation.
A national online poll has revealed that Fingers in the Sparkle Jar is Britain’s favourite nature writing.
Members of the public have voted in a poll organised by the Arts and Humanities Research Council (AHRC), and Chris Packham’s book has come out on top.
Fingers in the Sparkle Jar has been chosen as the UK’s favourite nature book, followed by Tarka the Otter by Henry Williamson in second place, and Common Ground by Rob Cowen in third place.
‘Fingers in the Sparkle Jar is like nothing else I know – a flickering vat of life itself. A brilliant and remarkable book.’ Robert MacFarlane
We think this book is essential reading for all interested in Chris, his career and the natural world but also anyone interested in the trials of life.
I travelled 13 hours across Peru then 7 hours through the mountains, hopefully so I can see Andean Condors at Colca Canyon. I've already been told it's less likely this time of year....but I know people that have seen them recently, so I stay positive.
Donning my backpack, camera and map I hike to several places known for condor sightings and sit for hours hoping for a glimpse of one. The scenery is stunning but I've come here with one goal in mind!
Will my Condor dream become a reality? Watch 'My Search For Andean Condors' to find out.
The wildlife presenter's role on the BBC show had been under threat back in 2016
TV wildlife presenter Martin Hughes-Games has revealed he’s quitting BBC2’s popular Springwatch series.
The news – announced by Hughes-Games this afternoon on Twitter – has prompted an outpouring of support and sympathy from his 50,000 followers.
Hughes-Game has presented on the programme, and its siblings Autumnwatch and Winterwatch, for 12 years. He said in his resignation tweet: “It’s good to go when the show is looking strong. Massive thank you for your support.”
The BBC has said in response: “Martin has been a vital part of the success of the Watches– both on and off screen– for the past 12 years, so we’re very sad to see him go. We wish him every success in his new ventures. We’re excited to be bringing Springwatch back to BBC2 in May.”
It brings to an end an uncomfortable last 18 months for the presenter who appeared on the show alongside Chris Packham, Michaela Strachan and new girl Gillian Burke.
After 12 great years I have decided to leave the watches. It's good to go when the show is looking strong. MASSIVE thank you for yr support.
Nature lover Hugh Fearnley-Whittingstall continues his wildlife adventures across the West Country. This time, Hugh is exploring the diverse county of Dorset, where the mild climate creates ideal conditions for all kinds of creatures. In spring, Hugh joins ornithologist Martin Cade at Portland Bird Observatory to monitor migrating birds like blackcaps and wheatears as they arrive on our shores after their epic journeys from Africa.
In the woodlands nearby, bat enthusiast Colin Morris keeps a watchful eye on the extremely rare Bechstein's bat - he even knows individuals by name. And retired policeman Mick Jenner hopes to catch up with an otter family that he has been filming over the past few years. Hugh also tries to track down one of our largest (and loudest) insects, the great green bush cricket, but it is easier to hear than see. And as autumn arrives, Hugh gets a glimpse of the sika deer rut, when stags compete for dominance.
First images of creatures from Antarctic depths revealed – via Greenpeace
These images are the first of creatures found in a previously unexplored region of the Antarctic seabed offering a fascinating glimpse of life in one of the most remote and pristine places on the planet.
The rare species were found by Dr Susanne Lockhart, an Antarctic biologist who visited the seafloor in a submarine last month as part of a scientific expedition organised by campaigning organisation Greenpeace.
Now they are being transported back to the laboratory where they – and hours of footage taken from the submarine – will be examined to reveal the secrets of this unexplored underwater world. It is hoped that some of the samples collected may prove to be new species.
Lockhart said the findings hold “great significance for the future of the Southern Ocean.”
What did we find on the Antarctic sea floor? Take a voyage into the deep and act now to #ProtectAntarctic act.gp/2om3DU6
Join NFTS for their Directing and Producing Science and Natural History MA open day!
If you have a passion for wildlife filmmaking don't miss the National Film and Television School's Directing and Producing Science and Natural History MA open day on the 23rd April - book now at nfts.co.uk/naturalhistory
A unique course, the only one of its kind in the UK, designed to fast track you into the industry.
Top reasons to apply:
Exclusive scholarship available for this course with RSPB and other partners.*
The course includes masterclasses from leading practitioners in industry, including from the world-renowned BBC NHU
Students will gain the skills and expertise needed to direct science, natural history and wildlife productions and the know-how to produce entire shows.
The course gives students the ability to generate science and natural history programme ideas and formats.
Gain the confidence and know-how to pitch those ideas to commissioning editors.
Graduate with brilliant list of industry contacts and relevant skills for building a sustainable career as a Producer/Director.
Work experience at the UK’s major wildlife production companies.
'A new MA designed to bring on the next generation of natural-history programme makers' BBC Wildlife
'You are the future. It’s up to you to change things about the way you look at the natural world, using formats I haven’t dreamed about.' Sir David Attenborough, NFTS Masterclass 2017 (Picture: Sir David Attenborough with Science and Natural History Students)
The Senegal sound recording expedition – with George Vlad
Sound recordist George Vlad went on an incredible recording expedition to Senegal last year - and here, he shares the stories behind his recording adventures:
Last year I went on a 3-week expedition to Senegal. To say that it was an enjoyable experience would be an understatement.
This was more than 1300 miles through desert, dry savanna, tropical savanna, tropical forest, wetland, mangrove forest, bustling cities, remote villages and anything in between. We traveled by car, truck, boat, donkey cart and on foot. We stayed in hotels, guest houses, a derelict research station!, mud huts, straw huts, Mauritanian tents and also wild-camped. Overall, it was as close to roughing it as it could get.
‘Downton Abbey’ Star Hugh Bonneville To Narrate British Wildlife Series
Downton Abbey star Hugh Bonneville is trying out to become the next Sir David Attenborough after being signed up to narrate a major British wildlife series..
The actor, who most recently starred in Paddington 2, is to voice Wild Britain, an eight-part documentary series for Viacom’s Channel 5. The show is one of the most ambitious natural history series the commercial broadcaster has ever undertaken as it hopes to find its own take on Planet Earth II.
The series is produced by Plimsoll Productions, the production company set up by former Zodiak USA Chief Executive Grant Mansfield with former Discovery and BBC Natural History Unit Chief Andrew Jackson acting as President of International Production.
It explores the outer reaches of Britain to capture the wonderful, often hidden wildlife from around the UK. Filmed across one year, capturing more than 100 stories, Wild Britain is an reveals the unseen lives of both familiar and the more unusual animals which inhabit the island.
Channel 5 has found much success with its wildlife programming and it is widely seen as one of the areas that Director of Programmes Ben Frow has managed to compete most aggressively with the UK’s larger broadcasters on. Hits include Alaska: A Year In The Wild and Yorkshire: A Year In The Wild as well as Ben Fogle: Return To The Wild, while recent commissions include The Secret Life of Owls from Windfall Films and Secrets of the National Trust, produced by Spun Gold and Motion Content Group.
The first episode of Wild Britain, which will look at Mountains, airs on Tuesday March 6 at 9pm.
Conservation Media is an FFA-licensed drone operator with over four years experience operating safe sUAS flights. Visit ConservationMedia.com to see our work in full, to review our client list, or to contact us.
Dominion is the new film by Chris Delforce from organization Aussie Farms. Delforce, who previously made movieLucent, told PBN that Dominion is 'the film I wanted to make for 10 years'.
The feature-length documentary focuses on how animals are used and abused in Australia, looking at six primary facets of our interaction with animals - Pets, Wildlife, Scientific Research, Entertainment, Clothing and Food.
PlantPure Nation tells the story of three people on a quest to spread the message of one of the most important health breakthroughs of all time. After nutritional scientist and author Dr. T. Colin Campbell speaks to the Kentucky legislature, his oldest son Nelson works with Kentucky State Representative Tom Riner to propose a pilot program documenting the health benefits of a plant-based diet. Through this well intentioned effort, they inadvertently set in motion a series of events that expose powerful forces opposed to the diet. After industry lobbyists kill the pilot program, Nelson decides to try his own grassroots approach in his hometown of Mebane, North Carolina, before circling back to Kentucky for a dramatic ending.
A growing number of celebrities, athletes, TV hosts, and nutrition experts have promoted the plant-based diet in the past few years, and tens of thousands of people have documented their personal success stories. But as more doctors and public officials become aware of the healing power of plant-based nutrition the question arises: Why don’t they share the information with the public? Tragically, there have been few official medical or state-sponsored efforts in the nation to support the life sustaining benefits of a whole foods plant-based diet.
PlantPure Nation was filmed across the USA and includes world-renowned experts, doctors and authors. The Production team includes Director Nelson Campbell, and Producer John Corry & Writer Lee Fulkerson from the acclaimed documentary film Forks Over Knives.
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The producer does not recommend or endorse any particular method, institution, product, treatment, or theory.
Opinions expressed in Wildlife Film News are not necessarily those of the producer.