Wildlife Film News   

wildlife-film.com newsletter 9
March 2000
www.wildlife-film.com

 News Contents:

1. Free Webspace
2. Natural History New Zealand and Animal Planet Join Forces
3. Green film festival
4. Kenyan footage sought
5. SO - YOU WANNA BE IN (NATURAL HISTORY) PICTURES?

6. National Geographic Channels Signs Output Deal With Southern Star
7. Welcome to Aldabra
8. Wildlife Specialists and Location Managers required
9. IWFF registration deadline extended
10. Enthusiasm Seeks Experience!


1. Free Webspace

For those of you who haven't got a website yet, the cost of domain names and webspace to house your site can be surprisingly high. True most internet service providers (ISPs) now give you free webspace, but the address can be very clumsy - for example my own free webspace from the first ISP I signed up with has the address http://homepages.force9.net/warren1/index.html. Not too good if you want to give a professional impression!

 
If you don't want to go to the expense of renting your own domain name and webspace, or your name has already been taken, you could always lodge your website with us. At no cost we can host your site under our domain with your choice of extension - if your name was Wildeye Productions for example, your web address could then be www.wildlife-film.com/wildeyeproductions.
 
If you're interested please contact us for further information - info@wildlife-film.com  
 

2. Natural History New Zealand and Animal Planet Join Forces For New Series Collaboration

Dive adventure series set to reveal mysteries of sharks

The Emmy Award-winning combination of Natural History New Zealand and US-based broadcaster Animal Planet is set to dispel the man-eating myths about sharks in a new 13 X ½ hour series.

Shark Gordon will be fronted by Ian Gordon, of Australia, a daring researcher-turned-frontman who will front up, like his namesake ‘Flash’, in troubleshooting roles to help solve many mysteries plaguing international shark research.

Nine months of filming begins in March 2000 off New Zealand’s Northland coast, home of the deadly Mako shark, before the crew head off on an odyssey around the Pacific and Indian Oceans in search of a variety of shark species.

A specialist crew of experienced Natural History New Zealand divers and cameramen will follow Gordon as he hand-feeds and swims with some of the world’s most fearsome creatures, at the same time finding out more about aspects of their little-known behaviour.

Each show will explore a new species of shark following Gordon to Australia, Hawaii, Mexico, Florida, the Bahamas, California’s Monterey Bay and inland to the US state of Montana, where he will hunt out fossilised sharks.

"What we’re trying to do is de-emphasise the fear factor and increase the fascination factor. Hopefully people will realise these animals aren’t coming up through the bath plug to get them," Gordon says.

"There is a high level of misunderstanding about sharks and this series aims to dispel some of those popular misconceptions with a unique combination of adventure and scientific credibility," says Natural History New Zealand managing director, Michael Stedman. "Sure, there’s a high level of danger attached to making a series about sharks, but some species of shark are actually endangered. They deserve to have their stories told."

Executive producer Kevin Mohs, of Animal Planet, a network of Discovery Communications Inc, was in New Zealand this week as the crew tested the high-tech camera and dive equipment needed to film the series.

Series producer Mike Bhana, who has been researching and filming sharks for eight years, says Gordon has an "immense amount of credibility" in the international world of shark science.

Gordon has acted as design and construction consultant for more than a dozen multi-million dollar aquariums around the world, and has helped to secure the protection of rapidly declining populations of Great Whites in Australia and many countries. He has also worked on research and Great White conservation projects with oceanic research and preservation organisation, the Cousteau Society.

In a world first Gordon will during the series assist the Commonwealth Scientific Industrial Research Organisation with his revolutionary, hands-on satellite tagging method ― far more efficient than the ‘spearing’ technique usually employed ― applying tags to the dorsal fins of giant whale sharks by hand off the Western Australian coast.

"Since the movie ‘Jaws’ everyone’s been shooting sharks, especially Great Whites, but as top order predators they’re extremely important," Gordon says.

Gordon does not deny their killer instinct. He has been attacked, once requiring 15 to 20 stitches to his head, and has been in numerous life-threatening situations with sharks.

"If I didn’t keep my head I could have suffered massive injuries. But sharks are really quite predictable once you get to a certain level of knowledge about them. I now have a sixth sense that tells me when it’s not a good time to approach them," Gordon says.

Bhana has already produced and directed three shark documentaries, all Natural History New Zealand-Discovery Channel co-productions for the cable network’s popular Shark Week season: Swift, Smart and Deadly, about mako sharks, Riddle of the Rays, and the recently completed Nature of the Beast. All of these involved diving with and around sharks so, like his show’s host, Bhana is no stranger to the risks he’s taking.

"When you’re trying to keep a clear line of vision on all the animals, what sends your heart into your mouth is when you don’t know where one of them is – that’s the biggest rush," Bhana says.

At times the Shark Gordon crew will be more than an hour’s helicopter ride from land so NHNZ is not taking any chances with safety; all crew have completed extensive advanced first aid and customised trauma training which equips them to deal with any emergency situation which might arise.

The series continues the collaboration between NHNZ and Animal Planet, which kicked off with Twisted Tales, the winner of an Emmy Award and a New York Festivals Gold WorldMedal. While that co-pro is into production of its second series, Shark Gordon is due for completion early in 2001.

For further information contact:
Rebecca Tansley
Manager, Marketing and Communications

Natural History New Zealand

Tel: +64 3 4799799 or 021 703 895

Email: rtansley@naturalhistory.co.nz


3. Green film festival

The second annual Equinox Environmental Film Festival is taking place in Leavenworth, Washington from 6 to 9 April. This is the premier event to attend for those interested in networking and learning about the latest in environmental film and environmental education.
Contact: info@equinoxfilm.org


4. Kenyan footage sought

An ad agency representing an ecological tourism client is interested in finding archival film footage from Kenya relating to Safaris and to the building of the Mombasa-Nairobi railway.
Email Tom Grasse at tgrasse@slaughterhanson.com


5. SO - YOU WANNA BE IN (NATURAL HISTORY) PICTURES?

Wildscreen Panda Awards: BBC Newcomer Award

WILDSCREEN, the world’s biggest festival of moving images from the natural world, is starting its search for the next generation of award-winning wildlife film-makers by inviting entries for the BBC Newcomer Panda Award 2000.

The award is one of up to 15 which will be given at the close of WILDSCREEN 2000, in Bristol, UK, from 7 to 13 October, but unlike the rest, which are for film-making professionals, the BBC-sponsored Newcomer prize is open to anyone, of any age or nationality, regardless of whether they have made or worked on a wildlife production before.

All finalists will have the chance to explain what they can offer in individual meetings with an international panel of industry leaders. The winner will receive a specially-commissioned trophy and a six-week placement with the BBC NHU in Bristol.

Entrants may enter a complete production but written proposals are also welcome. This should use a maximum of 5 pages, including visuals, to explain the production’s aim, factual content, how the ideas are to be conveyed, an indication of visual style, the target audience and any additional relevant information. Biographical details, including prior experience, should also be enclosed. Proposals may be supported by stills, film/video clips and/or computer-based images. The deadline for submissions is 15 May 2000.

Up to five newcomers will be short-listed by the end of June. At WILDSCREEN 2000, each will get 30 minutes with three top commissioners to expand on their ideas. The winner will be announced at the WILDSCREEN Panda Awards Ceremony on Friday 13 October.

The entry fee is £20 inc VAT. All entries must be accompanied by the official entry form, available from the Festival Office, tel. +44 (0)117 909 6300; fax: +44 (0) 117 909 5000; e-mail: info@wildscreen.org.uk.

Full details about WILDSCREEN 2000, its other Panda Awards and how to attend are also available from the Festival’s website: www.wildscreen.org.uk

WILDSCREEN is organised by The Wildscreen Trust in association with WWF-UK. Principal sponsors are the BBC, Discovery and United Wildlife.



6. National Geographic Channels Signs Output Deal With Southern Star

Southern Star has signed a two-year output deal with leading international cable broadcaster National Geographic Channels International for a minimum of 22 hours of television programming per year. 

The deal was announced today by Simon Willock, general manager of Southern Star Wild & Real, and Janet Vissering, vice president of Program Acquisitions for National Geographic Channels International.

"We are delighted to have completed this deal with a strong company like Southern Star.  Together, our long-term  commitment will guarantee a steady stream of the highest quality natural history programming to the National Geographic Channels around the world," said Ms. Vissering.

"This is an important output deal that we have signed for our wildlife and factual catalogue and is for a mix of new programs suited to National Geographic Channels.  Both parties anticipate that this deal, worth more than a million dollars, will develop into a more comprehensive arrangement to develop and co-produce future programming," Mr Willock said.

"Our strategy has been to secure output deals with selected broadcasters to maximise returns to producers," Mr. Willock added.

A year ago, Southern Star established the Wild & Real brand to house its 1500 hour wildlife and factual program catalogue. Southern Star Sales' 13,000 hour catalogue also features the genres of drama (Southern Star Primetime) and children's and family programming (Southern Star Kids).

Southern Star is an integrated film and television production, distribution and manufacturing group. Divisions of the company are involved in film, television and video production; video and optical disc duplication; sales and distribution and licensing and merchandising. Southern Star is a publicly listed company.

National Geographic Channels International is a business enterprise comprised of FOX Entertainment Group, NBC and NGT, and can currently be seen by 51 million subscribers in nine languages (English, Hebrew, Dutch, Polish, Hungarian, Swedish, Danish, Norwegian and Chinese) in 60 countries outside the US.  The service was launched on September 1, 1997.
 
 


7. Welcome to Aldabra
 
Andrea Maggi, a Producer of wildlife documentaries for many years now, has formed a new Production company in order to develop a few projects independently.

The Company is called "Aldabra Productions" and has three documentaries of one hour each in an advanced state of development.
 
The first one is "The Tides of Aldabra",  which is about the lives of creatures revolving around the tides occurring twice a day on the biggest raised atoll of the world. Fish, sharks, turtles are all coming in and out the huge lagoon while million of gallons of water replenish or empty it at incredible speed. One hundred fifty thousands giant tortoises live on the top side of the atoll making it unique and spectacular.

Another documentary is centered on the explosive evolution that a single Family of fish, the cichlids, has had in an ancient lake of the African Rift Valley: Lake Malawi. These fish show remarkable differences in colours, morphology and
behaviour. Add to that that in all 700 species present on the lake the females take care of their offsprings by keeping eggs and fry in their mouth for protection. On the top side, fish eagles, cormorants by the thousands, and otters complete an extremely interesting ecosystem.

One more project by "Aldabra Productions" is about the most succesful and numerous family of animals of this planet: the beetles. Beetles, beside being bizarre in shapes and structure, have colonised every single corner of earth from glaciers to desert and show an adaptability not known to other organisms. The latest macro filming techniques will be used to describe the behaviour and the ecology of this unique group of insects.

Andrea Maggi has produced in the past award-winning documentaries such as "Hippo Talk",  "The Wild Dog's Last Stand", and many others with co-producers such as BBC, Discovery, Canal+, NHK, etc.

"Aldabra Productions" is obviously looking for potential co-producers for its new project and will pitch the programmes to the broadcasters at the next MIP TV in Cannes. In the meantime, for those interested, there are available outlines, budgets, and promo tapes for the programmes.

Contact details for "Aldabra Productions":
Tel.: ++39 0187 51 39 75
Fax: ++39 0187 51 02 41
e-mail: andreama@col.it
Address: C.so Nazionale, 5 - 19126 - La Spezia - Italy
 


8. Wildlife Specialists and Location Managers required
 
"Lost Worlds: Life in the Balance" is a large-format (IMAX) film that explores biodiversity and the delicate interconnectedness of plants and animals. This is a Canada/USA production with the head production office in Montreal, Canada. They are currently seeking Wildlife Specialists and Location Managers for the following regions:
 
Venezuela: Gran Sabana region
Panama: Barro Colorado Island
Tikal, Guatemala
Monterey, California
 
They are also in search of bird and insect specialists in macro photography for the above mentioned regions.
 
Please contact Daniel Ferguson or Jennifer Gatien at:
 
Life in the Balance Productions Inc.
1200 McGill College, Suite 2210
Montreal, Quebec  Canada
H3B 4G7
Tel.: (514) 874-9551
Fax: (514) 874-9068
 
Email: dferguson@primesco.com
Email: jgatien@primesco.com
 


9. IWFF registration deadline extended
 
International Wildlife Film Festival, Missoula Montana April 15 - 22, 2000
Early registration deadline extended to March 15!
Register now and save $$.
Festival Pass $225, after March 15, $275
Student Pass $100, after March 15, $150

Seminars and Speakers to include:
Tuesday, April 18 Afternoon
* Welcome
* Filmmakers For Conservation Part I
* Workshop: How to start Your Own Business

Wednesday, April 19 Morning
* Recording and Use of Natural Sound
* Graphics and Animation

Wednesday, April 19 Afternoon
* Visual Literacy/Analytical Viewing - Bobby Tilton
* From Pitch to Deal - Teri Koenig

Thursday, April 20 Morning
* New Media and Your Footage - Steve Allison Bunnell
* Newcomers Practice the Pitch - Michael Allder

Thursday, April 20 Afternoon
* High Definition A to Z Craig Beardsley, Ben Threinen, Michael Brinkman, Kristen Cox

Friday, April 21, Morning
* Filmmakers For Conservation Part II - Haraldo Castro

Friday, April 21, Afternoon
* Top Ten Mistakes Made in the Editing Suite
* Art of the Story - Malcolm Penny

Saturday, April 22, Morning
* No Host Brunch

Saturday, April 22, Afternoon
* Kids Videomaking Workshop (limit 20)
* Digital Beta Camera Workshop (limit 20)

High quality wildlife films are desperately needed right now as the world's wildlands disappear and animals are pushed into smaller, more fragile habitats.  The IWFF is helping people all over the world learn to care for the planet's creatures.  That's the message in Missoula: How can the work that we do as filmmakers, distributors, conservationists and scientists help protect and preserve the wildlife and wildlands of the world?

IWFF is a forum for teaching, learning and nurturing.  Striving to encourage and include students and newcomers and provide them the opportunity to learn from the experts.   Regular updates to the list of seminars/events will be posted to the website: www.wildlifefilms.org.  A thoughtful balance of ethics, philosophy, technology and current trends is what the schedule is aimed toward.

IWFF is a festival where you can sit in the Wilma Theatre (which seats 1,000) with a full house and directly experience how the audience reacts to the films.  During the course of the eight day festival, over 10,000 people attend the screenings, including nearly 3,000 school children on field trips!  It is a wonderous experience to sit in the theatre and experience a film with a large audience, especially if it's 600 third graders!

The intimate setting and pace at Missoula make it an excellent Festival where one can make new friends,and hug old friends; all the while being inspired and energized by the other attendees and local fans. 
 
Further information from:
Amy J. Hetzler, Executive Director
International Wildlife Film Festival
27 Fort Missoula Road, Suite 2
Missoula, Montana 59804
(406) 728-9380
(406) 728-2881
www.wildlifefilms.org
 

 
10. Enthusiasm Seeks Experience!
 
Michael Ahern is a 30 year old living in Geelong Australia. He is seeking experience in wildlife documentary making.
 
"Since childhood I have been fascinated by wildlife documentaries, espescially those set in Africa. One of the major goals I want to achieve in my life is to be involved (even in a minor way) in the production of such a film. Now after ten years working in the field of Textile research I am planning my first trip to Africa which will be in the second half of this year and for a duration of 2 - 6 months.  I would love to hear from anyone in the industry who could use an extra pair of hands in any capacity. I have extensive research experience, good communication and computing skills and a host of other abilities. I also have experience with a variety of machinery, vehicles and animals (thanks to a farming background). Financial reward is not a consideration although food and lodging would be appreciated.
 
If you have a use for an enthusiastic, reliable and hard working person in the production of your documentary I would be extremely happy to hear from you."
To contact Michael:
 
email: michael.ahern@tft.csiro.au or ph: +61 (0)3 5246 4810  


That's it!  Send me YOUR news for the next issue and for the site.
This newsletter goes out to 1,000 people in the wildlife film-making industry worldwide.
Piers Warren
Producer
www.wildlife-film.com